Wednesday, December 7, 2016
Semester-End Recital – Fall 2016
No reservations required. View program notes/photos/videos
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Thursday, October 6, 2016
Celebrating the Genius of Michio Miyagi (1894-1956)
View program notes/photos/videos Celebrating the Genius of Michio Miyagi (1894-1956) Special Concert on the occasion of the 60th anniversary of the death of Michio Miyagi Free and open to the public, but registration is recommended. Sponsored by Toshiba International Foundation, Ajinomoto North America Inc., and the Japan Foundation, New York. Assistance provided by Michio Miyagi Memorial Hall.
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Wednesday, April 27, 2016
Semester-End Recital – Spring 2016
No reservations required. You can just pop in and out. View program notes/photos/videos
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Saturday, March 26, 2016
11th Season of Glories of the Japanese Music Heritage “Poetry & Paintings in Concert”
View program notes/photos/videos ANCIENT SOUNDSCAPE REBORN: "Poetry & Paintings in Concert" Part I: Classical Repertoire Hyōjō no netori & Etenraku Kashin Hyōjō no chōshi & Goshōraku no jo, Goshōraku no kyū Part II: Contemporary Works Yuka Takechi, Waxwing (2003) for sangen & shō Hiroya Miura, Gossamer Lattice (2007) for shō, hichiriki & ryūteki Fuyuhiko Sasaki, Bridge to the Heavens (2015) for harp, kugo, viola & shō Featuring Mayumi Miyata (shō), Hitomi Nakamura (hichiriki), Takeshi Sasamoto (ryūteki), Hidejiro Honjo (sangen), Fuyuhiko Sasaki (harp & kugo), Benjamin Preneta (viola), Columbia Gagaku Instrumental Ensemble.
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Wednesday, December 2, 2015
Semester-End Recital – Fall 2015
No reservations required. You can just pop in and out. View program notes/photos/videos
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Monday, November 9, 2015
Friday, June 12, 2015
Workshop: “Comparing & Contrasting Tones, Timbres and the Technology of Koto Instrumental Types”
View program notes/photos/videos 箏聴き比べ：新福山箏・ネオ箏・二つ折れ箏
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Wednesday, April 29, 2015
Semester-End Recital – Spring 2015
No reservations required. You can just pop in and out. View program notes/photos/videos
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Sunday, March 29, 2015
10th Season of Glories of the Japanese Music Heritage ANCIENT SOUNDSCAPES REBORN
View program notes/photos/videos Part I: Classical Repertoire of Gagaku Hyōjō no netori & Etenraku Kashin Rōkunshi Ichikotsuchō no netori & Karyōbin no kyū Part II: Contemporary Pieces for Japanese Heritage Instruments John Kaizan Neptune, Five and Thirteen are Prime Numbers (1983) (koto & shakuhachi) John Cage, Ryoanji (1983) (three hichiriki & percussion) Takeshi Sasamoto, Yaha (2014) (Shōsōin shakuhachi solo) Toshi Ichiyanagi, Transfiguration of the Moon (1988) (shō & violin) Featuring Mayumi Miyata (shō), Hitomi Nakamura (hichiriki), Takeshi Sasamoto (ryūteki; Shōsōin shakuhachi), James Nyoraku Schlefer (shakuhachi), Masayo Ishigure (koto), Thomas Piercy (hichiriki), Joshua Mailman (hichiriki), Sean Statser (percussion), Bronwen Kar Cheung…
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Wednesday, December 3, 2014
Tuesday, October 21, 2014
Make Music Monthly with Hiroya Miura: A conversation about Gagaku Japanese Court music
Make Music Monthly with Hiroya Miura: A conversation about Gagaku Japanese Court music (includes a demonstration of the instruments by the member of Columbia University Gagaku Instrumental Ensemble)
Find out more »Wednesday, September 17, 2014
Annual Nabunken Lectures with Prof. Takayuki Seino and Prof. Yasuharu Hoshino
Annual Nabunken Lectures Prof. Takayuki Seino, "Ideal Management of Historical Parks: From the Past to the Present to the Future" Prof. Yasuharu Hoshino, "A Review of the Application of Dendrochronology to Japanese Cultural Heritage"
Find out more »Monday, June 16, 2014
CHANEL Pygmalion Days Special Concert Series
View program notes/photos/videos 21世紀における「クラシック音楽」の行方
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2nd Summit on the Future of the Japanese Music Heritage
View program notes/photos/videos 第2回サミット「21世紀における和楽器の行方」
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In conjunction with the Gagaku-Hōgaku Classical Japanese Music Curriculum and Performance Program at Columbia University, launched in September 2006, the Institute for Medieval Japanese Studies presents several public gagaku concerts and instrumental workshops to introduce the ancient music of Japan to a greater audience at Columbia University and in New York.
